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ARTIST: Lokae

TITLE: City Lights (EP)

LABEL: Daly City Records

CAT-NO: DCR152

FORMAT: Digital

RELEASE DATE: 05/18/2010

Tracklisting:

01) City Lights (ft. Audio Angel & Joe Mousepad)

02) Till the End

03) Inverse Polarity (ft. Joe Mousepad)

04) Priceless

Lokae’s striking debut City Lights highlights his flexibility for crafting both heavy voltage beats that propel vocal arrangements and also adventurous treks into densely populated future bass narratives. In the effort’s single, “City Lights”, stark drum patterns weave through Joe Mousepad’s push-comes-to-shove rhyme schemes while Audio Angel’s soulful croon uplifts the streets to the skyline. “Till The End” showcases Lokae’s more abstract glitch style that shapes surreal cinematic tales. Liquidic bass towers against laser blips and frigid synth melodies, conjuring impressions of underwater robotic wars between android whale-ships and alien life forms. The animate merges with artifice, as City Lights illuminates as much as it intoxicates.

Kush Arora (Dread Bass Soundsystem/RecordLabelRecords)

“A solid first effort. This is the most unique and original sound that Lokae has presented and we need more of it. He adds to the small pool of actual song based composers in the cluttered genre of west coast bass music.”

Kid Kameleon (Surya Dub)

“Lokae’s range of tunes and vibes is impressive, from the sharp staccato of “till the end” to the fun grit of “inverse polarity”. A great debut!”

ill.Gates (Muti Music)

“Classy and mature sounds from a hot new producer. Sleep on this one and forever regret it!”

Katherine Kirby (Pirate Cat Radio)

“Lokae brings us another glitched out hit, recruiting Bay Area talents Audio Angel and Joe Mousepad on his City Lights E.P. Guaranteed to be a favorite at Pirate Cat Radio!”

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ARTIST: Samples
TITLE: Snowstorm
LABEL: Daly City Records
CAT-NO: DCR151
FORMAT: Digital Release
RELEASE DATE: 05/18/2010

Tracklisting:
1. Snowstorm intro
2. Snowstorm
3. Drop Bombs
4. Smoking Barrel
5. Here We Go
6. Digitalis

(Ben) Samples is one half of the live remix project Fresh2Death that is based out of Boulder , CO .  His style is crunk glitch-hop, complete with bass-heavy remixes of your favorite club anthems and hip hop.  His professional DJ career started in 2006 when he picked up a weekly variety radio show for CU Boulder’s KVCU.  His show covered many styles and genres, with a focus on dance music and hip hop.  Now, Samples blends both hip hop and dance music into a hybrid club hip hop sound that is redefining the genres. Samples is a member of the Denver Bass Squad, which is the essential crew that pushes the heavy bass-line scene in the Denver/Boulder area, including a residency at the world-famous Beta night club.

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ARTIST: Splatinum
TITLE: We are Splatinum
CAT-NO: DCR149
FORMAT: Digital
RELEASE DATE: 04/20/2010

WE ARE SPLATINUM is fueled with the alien technology known as “Der Schplatzl.” Cohorts Andrew Luck and Dosadi crush retro rave, dubstep and synth pop into Voltronic Daft Crunk in their premiere collaborative release. These 9 tracks pulse with iridescent harmonic leads and face punching monster truck bass lines. Leave your goatee and track shoes at home: there is no chin scratching or shoe gazing as Splatinum breaks down the door, lasers blazing and bass bins raging.

Tracklisting:

1 ) Robo Crunk Juice (Remix of Mochipet)

2 ) Evo

3 ) Captain Hook

4 ) Pierce the Air (Remix of Sleepy Eyes of Death)

5 ) Contagious feat Jett

6 ) Ain’t No Fool

7 ) Where Ya At?

8 ) Meat Off the Bone

9 ) Pumping Quarterz

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ARTIST: Mochipet
TITLE: Master P on Atari Transformed Volume 2
CAT-NO: DCR150
FORMAT: Digital
RELEASE DATE: 04/06/2010

The release of Master P on Atari Transformed vol1 is a futuristic and glossy rendering of urban club culture throughout the world. Master P vol2 is more subtle, more complex, more contemplative, and yes – weirder. The remixes throughout are clear and brazen renditions of what the artist experiences when sampling Mochipet’s offerings. This release explores the genres of every electronic category known under the sun to bring you a well rounded release; sometimes breaky, sometimes skitzy, sometimes boomy, and sometimes bootie, but always Mochi!!!

*This release also includes complete remix parts for the songs: Marshall Bass Stacks, It Ain’t Trickin If Ya Got It, and Godzilla New Year off of Mochipet’s Master P on Atari LP.

Tracklisting:

1. Coleco Crunk Vision (Monk Fly Remix)
2. Complex Players Dub (LayerZ Remix)
3. Robo Crunk Juice (CacheFlowe Remix)
4. Complex Players Dub (Ribotto Remix)
5. Complex Players Dub (Sugarpill Remix)
6. Turbo Thizz Petnation (Mindelixir Remix)
7. Pythagorean Hyphy Proof (Bookworm Remix)
8. Complex Players Dub (Free The Robots Remix)
9. Robo Crunk Juice (Jtonal of The Flying Skulls Remix)
10. Ghetto Puddin Pet (Liver Remix)
11. Pythagorean Hyphy Proof (Splatinum Remix)
12. Turbo Thizz Petnation (Fruitbat Remix)
13. Robo Crunk Juice (Encanti Remix)
14. Ghetto Puddin Pet (Preshish Moments Remix)
15. It Ain’t Trickin If Ya Got It (MusSck Remix)
16. Ghetto Puddin Pet (Jacob London Remix)
17. Remix Parts Marshall Bass Stacks 145BPM Drums
18. Remix Parts Marshall Bass Stacks 145BPM Bass
19. Remix Parts Marshall Bass Stacks 145BPM FX
20. Remix Parts Marshall Bass Stacks 145BPM Vox
21. Remix Parts It Ain’t Trickin If Ya Got It 150BPM Drums
22. Remix Parts It Ain’t Trickin If Ya Got It 150BPM Perc
23. Remix Parts It Ain’t Trickin If Ya Got It 150BPM Bass
24. Remix Parts It Ain’t Trickin If Ya Got It 150BPM Lead
25. Remix Parts Godzilla New Year 90BPM Drums
26. Remix Parts Godzilla New Year 90BPM China Sounds
27. Remix Parts Godzilla New Year 90BPM Percussion
28. Remix Parts Godzilla New Year 90BPM Bassline1
29. Remix Parts Godzilla New Year 90BPM Bassline2
30. Remix Parts Godzilla New Year 90BPM SoundFX
31. Remix Parts Godzilla New Year 90BPM Intro

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ARTIST: Deceptikon
TITLE: Mythology Of The Metropolis
LABEL: Daly City Records
CAT-NO: DCR148
FORMAT: Digital
RELEASE DATE: 03/16/2010

Tracklisting:
01) Echolocation
02) Kinyoubi
03) The Humans Return
04) Indo Loops
05) Message From The Resistance
06) Crumar Crush
07) The Fall of Humanity (With He Can Jog)
08) Dissolving In Acid
09) Time Dilation (With Oly)
10) 1990 XLII 60
11) Broken Synthesizers
12) Copy The Floppy
13) Minerva Liberation Society (With Vincent Parker)

“Mythology of the Metropolis” is the highly anticipated third
Deceptikon album, and is easily his most ambitions work to date. The
record is a genre-hopping, bass-heavy, mind-bending album of epic
proportions, one that is equally suited for the home stereo as well as
the dance floor. Heavy analog bass lines, vocals mangled just beyond
recognition, vocoded samples, and thumping drums play like a
soundtrack to genres that haven’t yet been invented. Created primarily
while Wright was living in Japan, “Mythology of the Metropolis” is an
extended love letter written to the city of Tokyo. Over three years in
the making, the album features guest contributions from artists as
diverse as He Can Jog (Audiobulb, Benbecula), Copy (Audio Dregs), Oly
(170, Ipecac), and Vincent Parker (Fourthcity, Run Riot). A critical
and underground fan favorite, Deceptikon is an artist to watch in
2010.

Praise for “Mythology of the Metropolis”:

“Both delightfully nostalgic and supremely contemporary, Mythology of
the Metropolis simultaneously sounds like everything I love and
nothing I’ve ever heard before.  If this is what the future sounds
like, I no longer have any reason to fear getting older.”
-Captain Ahab (Deathbomb Arc, Cock Rock Disco, Dual Plover, Irritant)

“Deceptikon pulls through with yet another strong release.
Well-produced and balanced rhythms, melodies, and beats all contained
within a positive attitude.  A wonderful release to bump while on a
cruse around the neighborhood.  I personally am always anticipating
Dkon’s next release!”
- Jerry Abstract (Shitkatapult, Musick, Schematic, Detroit Underground)

“There is not a single weak song on the new Deceptikon record…
sounds like electroclash kicking hiphops ass. thick & analog. …
electro sci-fi disco giving hip hop a reach around. it should sell
like cakes that are hot.”
- Proem (Merck, n5md, Component, Nonresponse)

Praise for past releases:

“A delicious amalgam of hip-hop, soul, and electropop … teeming with
fresh ideas and both sonically svelte in design and lush in character
… (Deceptikon is) fully qualified to be a next-level hip-hop
producer.”
-Textura

“Dilla comparisons might be in order … a track like “Almond Groves”
has all the organic warmth and grit, in addition to the subtle
synthetic undertones, of a Ummah-era Jay Dee production. ”
-Okayplayer

“(Deceptikon has) an earthly love of jazz and melody that posits him
not many miles away from Britain’s premier laptronica whiz kid, Four
Tet. … Heads will nod.”
-Grooves Magazine

“His ability to keep heads bobbing with hiphop rooted breakbeats and a
large palate of sounds helped him win the (Portland) laptop battle;
these are both what makes his debut full length so hot. … There’s
got to be more heat on the way.”
-Portland Mercury / Seattle Stranger

“Deceptikon is peerless in his ability to get a groove on.”
-Inpress ( Australia )

“A DJ Krush-like grasp of rhythm and melody”
- Seattle Stranger

Radio praise:

“MD thought this was amazing!!  Starting off nicely in rotation here.”
KXLU, Los Angeles

“THAT is a good record!  REALLY good!”
CISM, Montreal

“Fantastic!  This is the album that DJ Shadow should have put out”
KAMP, Phoenix

“Seriously, this might be the best thing I’ve heard all year.”
CJUM, Winnipeg

“It’s really good. I’m gonna push it hard”
WUIC, Chicago

“All over this one! LOVE IT!!!”
WDBM, Detroit

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ARTIST: Monk Fly
TITLE: The Far Side of Zen
LABEL: Daly City Records
CAT-NO: DCR146
FORMAT: Digital
RELEASE DATE: 02/02/2010

Monk Fly is a Producer, Dj and musician influenced by jazz, hip
hop, dubstep, jungle, wonky beats & the found sounds of his
environment.The Monk Fly sound is thus animated, diverse, bass
heavy and has ended up in the record bags of some of the worlds
most respected DJ & Producer such as Danny Breaks (UK),
Flying Lotus (US) & Gas Lamp Killer (US).
Monk Fly’s previous releases through his own label,
The Frequency Lab, have had critics stating:
“…serious top notch production…fusing together a variety of
musical inspirations. I’ll eat my hat if you don’t appreciate this”
(3D world) “a stand out Sydney producer…” (www.inthemix.com.au)
Live Monk Fly cuts both an amazing laptop set or DJ set. A recent
2 part live laptop set can be heard or downloaded at
www.fortheheads.blogspot.com Live reviews have commented, “see this lad he has an ear for
sound and where it meets fun…he rocked” (Drum Media)
Most recently Monk Fly has played support to Internationals
such as Hudson Mohawke, Mamiko, Harmonic 313, Deadbeat,
Benga, Skream & Dorian Concept.
Monk Fly, with his cohort Jonny Faith, also hosts Sydney’s only
weekly future beats radio show (FOR THE HEADS) and also the
only regular club night HEADROOM dedicated to such left-field
wonky beats, Beyond producing, Monk Fly has long been an active player
in the Australian music scene. He was a founding member of
Elefant Traks, a label now known for “…some of Australia’s
best hip hop, dub and broken beats.” (Juice Magazine)
After Elefant Traks, Monk Fly continued on to set up The
Frequency Lab, an artist run initiative – offering affordable
performance, recording and exhibiting space. The Frequency
Lab ran for 5 years as a venue and became known as “the
breeding ground for Sydney’s creative music community.”
(Clayton Thomas, co-director of The Now Now Festival). The
Frequency Lab has since evolved into one of Australia’s most
innovative boutique left-field music labels.

Tracklisting:
01) Birthday Funk
02) Hurry Chops
03) Ghlomp
04) Well If I Ever!
05) Bumpin Joints

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Master P on Atari Transformed Vol.1 sets the stage for a futuristic-in- your- face- you -betta -be- paying -attention robot sizzle meltdown. Master P Transformed travels beyond bassy and spacy with plenty of glitched out lazers locked full on the dancefloor.   The remixes have elements of Glitch, Hip Hop, and Electro, but it is still  David Y. Wang, AKA Mochipet guiding the way beneath it all.Track 01 John Coltrane on Atari is exceptional, an acoustic down and dirty tussle. Track 02 comes from the reknowned Kraddy, a money-back guaranteed dance  party banger. Newcomer to Daly City Records, Deceptikon / Zack Wright works his magic on Track 11 Master P on Chords and Coffee, its like gifting you with the perfect  espresso martini buzz.This is a remix record that really gives  the original Master P on Atari its fair due while allowing each artist to contribute their own distinct and  original touch. Also keep an eye out for Master P on Atari Transformed Vol. 2, released early 2010, with remixes by Jacob London, The Flying Skulls, Preshih Moments, Spltium, Encarti, Layerz, and more.

*Also included in this release is the complete Remix Parts for the tracks: Master P on Atari, Turbo Thizz Petnation, and Robot Crunk Juice off of Mochipet’s Master P on Atari Release earlier this year. This is a special bundle for all you music producers out there.

Tracklisting:
1. John Coltrane on Atari (Daniel Day Trio Remix)
2. Marshall Bass Smacks (Kraddy Remix)
3. Robot Dunk Juice (ill.gates vs. Little John Remix)
4. Master P on Obe One Kenobi (Matt B Remix)
5. Master P on Versace (Memory 9 Remix)
6. Vermin Bass Stacks (Vinyl Blight Remix)
7. Anticon on Atari (Restiform Bodies Remix)
8. Robot Basslab Juice (S.P.E.C.T.R.E. Remix)
9. Alien Crunk Dub (Audiovoid Remix)
10. Complex Cumbia Dub (Sub Swara Remix)
11. Master P on Chords and Coffee (Deceptikon Remix)
12. Remix Parts – Master P on Atari Drums (88bpm)
13. Remix Parts – Master P on Atari Lazers (88bpm)
14. Remix Parts – Master P on Atari Bass (88bpm)
15. Remix Parts – Master P on Atari Vocals (88bpm)
16. Remix Parts – Turbo Thizz Petnation Drums (90bpm)
17. Remix Parts – Turbo Thizz Petnation Lazers (90bpm)
18. Remix Parts – Turbo Thizz Petnation Hi-Hats (90bpm)
19. Remix Parts – Turbo Thizz Petnation Bass (90bpm)
20. Remix Parts – Robot Crunk Juice Drums (90bpm)
21. Remix Parts – Robot Crunk Juice Bass (90bpm)
22. Remix Parts – Robot Crunk Juice Keys (90bpm)

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When MusSck was back in high school he use to stay up late at night to watch the series the UK series of Manga classic the fist of the north star as the background music was drum and bass and IDM which got him hooked onto music as well as animation

after collecting heaps loads of animation such as ghost in the shell / death note / ergo proxy / ninja scroll / samurai champloo and street fighter, MusSck always wanted to make music referring to animation and land of animation EP explains all of that

Tracklisting:
01) Creation Of a New World
02) Finding Forever
03) Memory Of Yesterday’s
04) Pain To The Picture
05) A Fatherless Child
06) The Core Of The Problem
07) Anger Is Brief Insanity
08) The Mother Of All Mistakes
09) Confession Of A Demon
10) Underworld Of Fortune
11) Ghetto Village In 2D
12) Draw What Comes To Mind
13) Sell You A Dream
14) The Town Made Out Of Clouds

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Reviews:
“[The Flying Skulls] produce some of the best deep bass party grime but somehow manage to stay sophisticated and hold the listener’s attention for more than 5 minutes. Raw, but never hard on the ears, each of the (producers) bring their own flavor, making the overall sound a tricked-out blend of crunk, dubstep and breaks.” Canary / Pirate Cat Radio 87.9fm

Of course it was inevitable… that The Flying Skulls and Daly City Records own Mochipet, Vladimir Computin and Preshish Moments would make some seriously f*cked up music together.  The Skulls have also announced a three-EP arc that will first drop on Daly City in late 2009.Check your radar good citizens, that blip you see fast approaching is none other than The Flying Skulls, a nu-school production team that plays live improvisational dub-step, breaks, and electro! The group brings the future-soundz of the modern dance music studio and interpolates them through the filter of live improv. With an old school jazz ethos The Skulls combine their tightly-honed electronic and hiphop infused sonic orchestra in a most dirty and crunked-out way.  Straight dope on these Flying Skulls guys?  They’re dirty.  Dirty beats, dirty grimy low-end, mucked up distorted synthesizers, live syncopated beats flipping between 4/4, 3/4, and 7/8 time. The Skulls distill these elements through their battle-tested mix interface into dancefloor-rending sets of huge beats with a cinematic depth meant for the very largest of soundsystems.  Chromekids recently described their sound as, “A heavyweight collection of nasty synths, wobbly basslines and crunked out glitchy beats so dirty you’d swear they robbed their MPC players off a crack dealer.”

Album art by world renown mixed media artist Souther Salazar. http://southersalazar.net

“BBQ Chicken Dub appears courtesy of yo mama”

Tracklisting:
01) Like Magic (Mochipet Remix)
02) Bacon (Ribotto Remix)
03) Snake Charmer - BBQ Chicken Dub Remix (Feat. J.Tonal, Snareface, Jerome & Forney)
04) Money - BBQ Chicken Dub Remix (Feat. J.Tonal, Snareface, & Jerome Forney)
05) Skeleton Talk - BBQ Chicken Dub Remix (Feat. J.Tonal, Snareface, & Jerome Forney)
06) Skulls & Angels (MO2 Remix)
07) Skulls & Angels (Preshish Moments Remix
08) Trig (Vladimir Computin Remix)

Label: Shanshui
Catalog#: SHS#011
Format: CD, Compilation
Country:China
Released: 2009
Genre: Electronic Style: Chiptune, Techno, Dubstep, And Electro

Shanshui Records was founded in December 2002 by SUN dawei. This label is  a simple gathering place for  electronic music, without any specific concept or musical genre. The release, Top Bass Inside Beat, gathered many electronic artists from China and overseas. The artists involved  have generated new electronic music fans in China and beyond.

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Track Listing:
01 Knifehandchop – Break Your Speakers
02 Covox – Minibrex
03 Cycheouts Ghost – WIADUB
04 Mochipet – Dancehall Murderer
05 B6 – Red House
06 dDamage – Can of Worms (Magnum 38 RMXV1)
07 Sulumi – Mr. Wobble’s Nightmare (BASS REMIX)
08 C.L.A.W.S. – cave juice
09 USK – vakacavvaghi
10 Dead J – High Heels
11 Kid606 – Lowlife Highrolling
12 Himuro – Sort of DnB
13 COM.A – The Entertainer
14 iLoop – my noise girl